Archives for September 1996

Nagra Adds 96 kHz, 88.2 kHz Sample Rates in Software Upgrade for Nagra-D Digital Recorder

Nashville, TN. Nagra U.S.A. has announced availability of v2 software for the Nagra-D portable digital recorder. The key feature among numerous changes and added features in the new software is the option of three new high-frequency sample rate selections.

The Nagra-D can now record at 96 kHz, 88.2 kHz, and 64 kHz, in addition to the machine’s original sample rates at 48 kHz, 32 kHz, and 44.1 kHz.

Other new capabilities include mirror copy, sample-accurate sync between machines, absolute time display, time-code assemble recording, tape write protection, enhancements to the search mode, and an increase in the reel-numbering scheme from 9 to 999, with auto-incrementing of reel numbers during formatting.

The Nagra-D’s new high frequency sample rates can only function with external A/D convertors, and in 2-channel mode. The digital data density required by the high sample rate is achieved by combining digital tape tracks 1 and 2 as “left” and tracks 3 and 4 as “right.” When high sample rate is selected, the inputs automatically switch to AES digital (24-bit), and the unit’s four analog inputs are disabled. As well, the high sample rate modes can only be activated by connecting the Nagra-D to a PC running its optional NADCAM software and entering a special password from the PC.

In spite of these inconveniences, the high bandwidth upgrade appears to be a ground-breaking innovation that will delight many Nagra-D users, especially with the imminent arrival of the DVD disc format with its matching high bandwidth capabilities (the various proposals on the table for DVD-Audio format include 96 kHz and 88.2 kHz sample rates at 24-bit resolution).

The Nagra-D’s new sample sync capability allows two or more machines to be linked together in both record and playback modes for sample-accurate synchronization of the digital outputs. Machines to by synced are linked by a special cable, and time code from the master machine is sent to the slave machine for chase-lock synchronization in the usual manner.

The time-code assemble record mode is also a major new feature. When this mode is selected, the machine makes a precise time-code assemble at the record-in point. The machine accomplishes this by reading time code from tape during the pre-roll, then jamming the internal generator from tape code. The result is seamless, continuous time code on tape.

The v2 software’s mirror copy function allows an exact copy of a tape to be made on a second Nagra-D. The copy includes directory data as well as audio. Absolute time display allows the machine to show running time in hours, minutes and seconds from the start of the current reel, instead of the running time in the current take.

The Nagra-D’s search function has been improved with the new software. It can now search forward and backward at both 4-times and 8-times play speed, with audible cueing from the headphones outputs. Another new convenience feature is the ability to store a default power-up state that can be recalled from non-volatile memory after a loss of power or a memory reset.

The software update is supplied on three EPROM’s, though only the master CPU chip is required for machines without the time code option. The CPU is copy- protected and requires a password for activation. Depending on the options required, the cost of the upgrade to v2 ranges from $210.00 (US) to $600.00 (US). The higher price includes time code options and the high sample rate option.

Graphix Zone Launches CD-ROM Music Titles with Sunset Strip Party, Live WebCasts

Irvine, CA. Interactive music company Graphix Zone is launching three new Interactive Music CD-ROM’s™ today in a release party in Los Angeles. The three titles are Herbie Hancock Presents Living Jazz; Willie, The Life & Music of Willie Nelson; and Under The Covers.

The triple release party will be celebrated at the Billboard Live club on Sunset Strip, tonight (Sept.20) at 5:00pm PST (8:00pm EST). The event will include a national chat from 7:00pm to 8:00pm PST on America Online with celebrities including Herbie Hancock, The Doors’ Ray Manzarek and Under The Covers’ Henry Diltz and Gary Burden. From 5:00pm to 8:00pm PST Internet users are invited to access the cyber party live on the web at Billboard Live. The site will feature live audio and video from the party using Xing Technologies’ StreamWorks™ streaming.

The three titles will be available for both Windows and Macintosh platforms, in stores October 1, 1996. The discs present “a musical and visual adventure offering a feast for the eyes, music to the ears and the compelling aspect of interactive exploration and play.”

World Media Expo in October Will Likely Be the Last

New York, NY. The third World Media Expo next month in Los Angeles is expected to be the last, according to sources connected with the event. The two key sponsors have been unable to resolve differences over the management and direction of the show, and plan to hold separate events beginning next year.

The Radio-Television News Directors Association and the National Association of Broadcasters (NAB) Radio Show joined forces in 1994 with the aim of creating a bigger show that could lure larger exhibitors. While that goal was largely accomplished, NAB was apparently unhappy with the revenue distribution arrangement. NAB’s radio members also complained about sharing their show with other groups.

A formal announcement regarding the dissolution of the partnering agreement is expected before the beginning of World Media Expo on Oct. 9. Other organizations involved in staging the fall show are the Society of Broadcast Engineers, and the Society of Motion Picture and Television Engineers.

Sonic Brings DVD Creator up to 1.0 Spec

Novato, CA. Sonic Solutions today announced that its DVD premastering system, Sonic DVD Creator, has been enhanced to create DVD discs conforming to the DVD 1.0 specification. The 1.0 spec was eleased earlier in the week by the DVD Consortium, the industry body responsible for standards.

Sonic DVD Creator becomes the first DVD premastering tool to support the new specification, enabling Sonic users to create DVD 1.0 discs in time for this fall’s consumer launch of DVD.

“The DVD format is upon us,” said Ken Jones, marketing director for DVD for Toshiba Corp., founding member of the DVD Consortium. “Sonic’s DVD Creator system is paving the way for studios to create the content that will drive the burgeoning DVD market. Sonic’s compliance with the final DVD specification ensures that the titles will be ready to go when the players are introduced.”

The DVD Creator system is designed to enable content developers, movie studios, post production, and disc replication facilities to put interactive movie content on the new DVD medium. It includes modules for MPEG-2 video encoding, audio editing and encoding, and DVD disc authoring and formatting.

Hundreds of Audio Pros to Lose Jobs as Canada’s National Broadcaster Slashes Again

Ottawa, Canada. In the deepest cuts yet in a decade-long saga of budget cutting and downsizing, the Canadian Broadcasting Corporation (CBC) has slashed almost $200 million (CDN) from its budget.

Combined with measures announced a year ago, still working their way through the system, the latest cuts mean that the CBC is cutting a total of more than $400 million (CDN) from its current annual budget of $1.4 billion (CDN).

The cuts will have a profound effect on the scope of CBC radio and television programming. Beginning next fall (1997), CBC’s networks will have cheaper programming, more repeats, fewer regional shows, smaller news departments, more commercials, and far fewer employees.

FAR fewer employees. When the cutting began last year, CBC had about 9,000 full-time employees and between 2,000 and 3,000 part-time workers. By 1998, the full-time work force is expected to drop to 6,000.

Cuts are being distributed evenly across the CBC operations, including the radio services — four national networks, English AM & FM, French AM & FM. The English radio budget drops to $94 million (CDN) by 1998, down from $128 million (CDN) in 1994. The French radio budget drops to $62 million (CDN) from $82 million (CDN).

The surprisingly heavy hit to radio means that the impacts will be severe in the audio profession. It is expected that job loss in the radio sectors will be relatively high, due to the high percentage of the radio budgets that go to salaries. This means that hundreds of audio engineers and technicians will be out of work within two years.

In announcing the drastic measures yesterday, CBC President Perrin Beatty said the public broadcaster will preserve most of its local TV news operations, but do away with almost all other local television programming. He said the corporation would refocus on its mandate, to preserve and foster Canadian culture and identity, which means doing away with all U.S.-produced programming by 1988.

Changes to CBC Radio operations will include the elimination of most local programming except for the morning shows, and major reductions in network programming. CBC V-P of Radio Harold Redekopp says that original music production and arts programming will be reduced significantly.