Archives for 1996

Kurzweil Announces Electric Piano with 3D Audio

Now you can hear your piano doodling fly around your head when you get behind the keys of Kurzweil Music Systems’ new high-end digital ensemble piano, the Mark 12.

Kurzweil has incorporated SRS 3D sound technology (Sound Retrieval System) by SRS Labs in the Mark 12, creating “an exciting listening entertainment experience never achieved by any other digital piano.” With shipments to dealers commencing this week, the Mark 12 is the first musical instrument to incorporate SRS 3D Sound Technology.

Along with the 3D sound novelty, the Mark 12 features 325 sampled orchestral sounds, 128 editable auto accompaniments, 16-track 16-song recorder/sequencer and multiple reverb effects.

SRS 3D sound can also be heard in consumer electronics, computer, and video products by manufacturers such as Sony, RCA, Kenwood, Pioneer, Nakamichi, Sharp, Apple, Packard Bell and NEC.

So You Wanna Win a GRAMMY?

Los Angeles, CA. A celebrity panel will offer a symposium on the GRAMMY Awards process tomorrow (Sept.10) in Los Angeles. The symposium is presented by the Los Angeles Chapter of the National Academy of Recording Arts and Sciences, as part of its annual membership meeting.

“The GRAMMY: From entry form to acceptance speech,” takes place 7:00pm on Tuesday at A&M’s Chaplin Soundstage at 1416 N. La Brea in Los Angeles. Admission is free to all NARAS members and $5.00 for all non-members.

The panel will discuss the GRAMMY process, who is eligible, who votes and what effect winning a GRAMMY can have on a career. It will be moderated by Greg Knowles, NARAS LA Chapter President and a producer of books on tape for RandomHouse, Vintage and his own label, Helion Audio Books.

Panelists include . . .

  • Don Was, GRAMMY Winner/Album of the Year for “Nick of Time” (Bonnie Raitt) and producer of artists such as The Rolling Stones, Iggy Pop, Bob Dylan and Elton John.
  • Brian Avnet, President of 143 Records and former manager of artists such as Bette Midler, Roseanne Cash, Take 6, Cyndi Lauper, and currently working with David Foster
  • Michael Greene, President/CEO of NARAS
  • Eddie Lambert, National Vice Chairman of NARAS, currently Director of Music Licensing, Film & Television at EMI-Capitol Music
  • Diane Theriot, Vice President of Awards of NARAS
  • Al Schlesinger, Trustee of NARAS and music business attorney

Hootie Showcases Live Net Audio in Red Rocks Webcasts

New York, NY. On September 10th and 11th, DigitalArena at the Atlantic Records site will broadcast two shows by Hootie & The Blowfish live over the web. The concerts will be carried on the Internet direct from the Red Rocks Amphitheatre (near Denver, CO).

The webcast will involve a whole slew of state-of-the-art technology for delivering audio and video on the net. It will combine realtime audio and video streaming, live chat, commentary, digital photography, and up-to-the-minute reports from Atlantic’s on-site correspondents. The webcast kicks off both nights at 10:00 pm EST (7:00 pm PST).

The audio side of the event will be something of a shootout between the two current leading technologies for delivering realtime streaming audio on the net. Concert segments will be delivered in both StreamWorks™ and RealAudio™ formats.

The StreamWorks portion of the broadcast, using MPEG-based compression and streaming technology by Xing Technologies, will be produced by New York-based entertainment company Cybersonic. On The Scene Productions will deliver the video for StreamWorks, sourced from a four-camera shoot.

“Xing is honored to be working with Hootie & The Blowfish to enable the band’s first live performance on the Internet,” said Howard Gordon, Xing founder and CEO. “The band’s worldwide popularity will surely attract thousands to the webcast, and in turn, demonstrate our technology to many who have never experienced audio and video on the Internet.”

The audio for the show will also be delivered over RealAudio, the compression and streaming technology developed by Progressive Networks, and currently the dominant technology for audio webcasts.

“We expect that attendance for Hootie & The Blowfish’s performance will set a new benchmark for online live events,” says Larry Levitsky, Vice President at Progressive. “We’re thrilled that RealAudio is part of the band’s first-ever cybercast.”

Intel Corp. will also be heavily involved in the web cast. Intel’s Intercast technology, which combines live video with web page content and on-site kiosks, will be used for the first time in a concert setting. Intel will also showcase its Internet Phone technology in a call-in session that will be prepared in advance (Hootie and the band talking with fans via Internet Phone) and then broadcast during the show on Wednesday.

“Intel is very excited about the PC’s continued growth as the platform of choice for music delivery in the Internet,” said Avram MIller, Intel Vice president and director, Corporate Business Development. “Hootie & The Blowfish’s Red Rocks concerts signify how Intel’s Internet technologies are enabling artists and their fans a more compelling way to interact via their PC’s.”

Atlantic’s web site has recorded record numbers of visitors this year, due in large part to webcasts carried in the DigitalArena area. Previous webcasts have featured Tori Amos, Jewel, Poe, Seven Mary Three, Duncan Sheik, and the Tragically Hip.

DigitalArena allows participants in Atlantic’s broadcasts to receive live audio, video and commentary on one screen simultaneously. It blends basic applications like chat (via EmeraldNet’s “Chatbox” software) and continuously updated still images with more sophisticated features such as streaming audio and video, so that the user can participate in events regardless of their level of hardware. Online users have enjoyed the ability to communicate with Atlantic commentators without interrupting the enjoyment of the broadcast. The site melds

“We’re thrilled to be collaborating with Intel on this trend-setting Hootie cybercast,” says Nikke Slight, Atlantic’s Director of Multimedia. quot;Intercast and the Internet Phone are two more outstanding examples of how Internet technology can be utilized to bring artists and their fans closer together.”

“From the very beginning, Hootie & The Blowfish have shown extraordinary care for their fans,” adds Atlantic Senior Vice President Karen Colamussi. “Whether they’re reaching across a fence to sign autographs, or reaching across cyberspace to answer questions, the band will stop at virtually nothing to get closer to their fans.”

Phoenix Expanding Web Radio Broadcast to Full-Time Live Format

Burbank, CA. Phoenix Media Group plans to begin live 24-hour-a-day broadcasts on the Internet. Phoenix currently offers an on-demand web audio outlet called World Wide Radio Network. Phoenix is working with Broadcast Technical Services of Rowland Heights, CA, to plan, design and install a full-time web broadcasting system based on RealAudio technology. The operation is expected to be ready to roll by mid-November.

Phoenix plans to carry entirely original content on the new service, with a format consisting of talk and music. “Think of it as an audio version of Time Magazine on the net,” says Phoenix CEO Ron Irwin. “We’ll have lots of music to start with, and a couple of 3-hour or 4-hour talk segments, with world-wide phone-ins per day. Eventually, I’d like to go to all talk.”

The web broadcast operation will be funded by advertising, including a mix of traditional radio-style spots, and infomercial material blended into the talk segments.

Klipsch Enters Car Audio Market

Indianapolis, IN. Klipsch Inc., renowned for more than half a century as a leading manufacturer of speakers and cabinets for high-end home audio, is steering a new course towards the car audio market. Klipsch has announced an agreement in principle to purchase car sound manufacturer Pyle Industries from Pyle’s parent company Harman International.

“The addition of Pyle to Klipsch will add strength to our manufacturing capabilities and allow us to enter the automotive and OEM businesses,” says Fred Klipsch, Chairman and CEO.

Pyle is based in nearby Huntington, IN. They are known for the Pyle Driver car speaker line. Initial plans call for Pyle’s manufacturing operation to remain independent, with sales and marketing moving to Klipsch headquarters in Indianapolis. The acquisition is expected to be complete sometime in September.