2004 Acura TL Will Offer XM Satellite Radio as Standard Equipment

At the New York International Auto Show (April 18-27, 2003), American Honda Motor Co. has announced that the new 2004 Acura TL will include XM Satellite Radio as standard equipment.

“As XM marches to the one million subscriber mark later this year, the all-new 2004 Acura TL represents another key expansion of XM into the great family of Acura and Honda vehicles,” comments Hugh Panero, XM president and CEO. “XM’s programming will be a perfect complement to the luxurious driving experience delivered by the 2004 Acura TL.”

According to American Honda, the 2004 Acura TL joins the 2004 Acura RL as the first luxury sedans to feature XM as standard equipment. For Honda products, a dealer-installed option is available for the 2003 Accord and Pilot. The Honda Division also expects to have XM Satellite Radio factory-installed beginning with the 2004 Accord later this year.

American Honda plans to expand the availability of XM-ready radios to additional Honda and Acura models during the 2005 model year and into the future.

XM Satellite Radio Web Site

Wakeside.com Adds a Full Line of Boat Audio Products

Wakeside, the Portland, OR retailer of wakeboard boat accessories and enhancements, has added a full line of boat audio gear to its offerings.

Already well known for an extensive lineup of wakeboard towers, racks, lights, and tower speakers, it was only natural for Wakeside to add amplifiers, subwoofers, component speakers, and CD/MP3 receivers to go along with their high-end wakeboard boat accessories.

To drive today’s high-end tower speakers, a power amplifier is a must. Many wakeboarders want to hear the music clear and loud while they ride. The power output of most receivers is simply not adequate to get the great sound and high volumes desired from modern tower speaker systems.

For example, the Boss Accessories B-530, MB Quart based tower speaker system can handle a whopping 250 watts RMS per side at 2 ohms. To accommodate these types of power needs, Wakeside has added four lines of power amplifiers from Phoenix Gold, Kicker, Rockford Fosgate, and MTX.

Most riders are not satisfied with just hearing the sound while they ride – they want to “feel” the music and watch the ripples come off of the side of the boat from those reverberating bass notes. This means one or more subwoofers, and a subwoofer enclosure or a self contained subwoofer system. To meet this requirement, Wakeside has added four lines of subwoofers from Kicker, Rockford Fosgate, Infinity, and JL Audio.

Subwoofers can range from eight to fifteen inches, and some models can handle up to 1,000 watts RMS continuous, 2,000 watts peak! Of course you will need another amplifier to power the subwoofer: not to worry, many models are available with mono, stereo, or multi-channel that can be bridged to power the demanding thirst for power that these subwoofers create.

Many wakeboard boats come equipped with two, four, or even six coaxial speakers from the factory. Unfortunately, some of the manufacturers use either marine grade or substandard quality speakers that just don’t sound like the high-end car audio speakers that many have become accustomed to. Wakeside offers only the best for your boating needs, with the addition of MB Quart, Kicker, Infinity, and Rockford Fosgate component and coax speakers. No cheap stuff here – the offering starts at the middle and extends all the way to the very top!

If you need to upgrade your CD/MP3 receiver, then Wakeside also offers both Sony and Pioneer units. An MP3-equipped receiver can play up to 200 tunes from a single CD.

Wakeside has three mobile audio experts on their sales team to help you design your system and select your boat audio equipment. They can also put a package deal together for you if you are building a whole system. If you need help with installation, Wakeside offers professional mobile installation on the West Coast from Seattle to San Diego.

If you are ready to hear and feel the tunes, Wakeside.com is ready to help you to create an incredible system to improve your ride.

Wakeside Web Site

Windows Media 9 Series Debuts as a Key Feature of Leading Professional Audio Tools at NAB2003

At NAB2003, Microsoft® is showcasing advanced applications of its Windows Media® 9 technology as a key feature of leading software and hardware tools for the professional broadcast community.

Accom, Adobe, Avid, Digidesign, Discreet, Drastic Technologies, Echo Digital Audio, M-Audio/Midiman, Steinberg Media Technologies, and Sonic Foundry are all demonstrating professional multichannel audio and video production tools at the Microsoft booth.

Windows Media 9 offers 7.1-channel multichannel audio and standard-definition (SD) or high-definition (HD) video quality, in one-third the bit rate of MPEG-2, according to Microsoft. The broad spectrum of video acquisition, video production and high-resolution multichannel audio post-production solutions on show at NAB underscores how Microsoft Windows Media 9 Series is now a viable format for the professional authoring community.

“The two most important goals for us in designing Windows Media 9 Series were to deliver a new level of professional quality and to make it an easy platform that developers could harness for their own solutions,” said Amir Majidimehr, general manager of the Windows Digital Media Division at Microsoft.

“To have this kind of support in shipping products less than three months following our final release speaks to how easy it is for developers to build on our platform and the value of our innovations for the professional community.”

The following new professional multichannel audio authoring solutions highlighted at NAB2003 have integrated the compression advantages of WMA Pro 7.1 channel capabilities as a key feature:

Digidesign® is unveiling plans at NAB for the new Pro Tools Windows Media Encoder 9 Series, which allows Pro Tools users to import and export Windows Media Audio (WMA) files in the simple and familiar Pro Tools environment. At Digidesign will give Windows-based Pro Tools demos showing a sneak peek of the new functionality, scheduled to be available in late 2003.

Steinberg, the Audio Group of Pinnacle Systems, will show support for WMA Pro in Steinberg’s flagship product, Nuendo 2.0. Designed with input from some of the biggest names in the audio industry, Nuendo 2.0 is built upon the most-advanced technologies available today to meet the needs of professionals in all facets of audio production: composition, film, broadcast, music, postproduction, surround sound, game sound and multimedia.

Echo Digital Audio will demonstrate its complete line of professional audio recording systems, as well as its new family of super-high-fidelity audio record and playback adapters for laptop/notebook computers, which offer complete support for the full-spectrum, full resolution audio capabilities of Windows Media 9 series.

M-Audio/Midiman will demonstrate its Delta 1010 PCI digital recording system, with support for playback of WMA Pro Audio.

Sonic Foundry will demo its new Vegas 4.0, which provides integrated real-time video and audio nonlinear editing of Windows Media Video and multichannel Windows Media Audio Professional (WMA Pro), with comprehensive features that include surround sound production.

AES Europe: DTS and Swedish Radio Present Live Demonstration of 96/24 5.1 Surround Sound for Digital Broadcast

On the opening day of the 114th AES Convention in Amsterdam, surround audio technology leader DTS is hosting a presentation addressing the latest developments in high-quality multi-channel audio for digital broadcast.

Those attending the presentation will be treated to the first-ever public broadcast of DTS 96/24 Digital Surround, via Swedish Radio’s 1.5 Mbps DVB multi-channel satellite transmission. The digital audio service has been operating in test mode since February, and has been enhanced to handle the high-resolution DTS signal for the AES demonstration.

The presentation at 12 noon tomorrow (Mar.22) will be introduced by leading sound recording engineer and producer Stuart Bruce, who will also deliver this year’s keynote address at the AES Convention.

Mr. Bruce is a leading proponent of multi-channel audio production, with almost 20-years’ experience in stereo recording. His credits include work with artists such as Stevie Wonder, Roy Orbison, Frankie Goes To Hollywood, Barry White and Bob Marley. He is based in his own production suite at Peter Gabriel’s Real World Studios.

The presentation will address all aspects of implementing high-quality multi-channel sound in the broadcast chain, including production, contribution and transmission issues.

Other participants in the presentation will include will Bosse Ternstrom and Lars Mossberg, senior engineers from Swedish Radio who have first-hand experience transmitting the first publicly available 96 KHz, 24-bit quality 5.1 broadcast service.

Swedish Radio’s DVB multi-channel test transmission service uses the DTS Coherent Acoustics compression/decompression algorithm. The free-to-air broadcast service is being transmitted across Europe using the Nordic and European beams of the Nordic Satellite AB (NSAB) Sirius 2 satellite (5 degrees East), on 12.245.34 MHz Vertical and 12.379.60 MHz Horizontal, respectively.

The test also includes terrestrial transmissions over DVB-T supplied by Teracom. SR’s transmission follows the inclusion by the DVB of DTS Digital Surround as part of its Digital Television specification.

DTS Web Site

Audio Engineering Society Executive Director Roger Furness Explains Why AES Amsterdam (Opening Saturday) Is a Key Event for Audio Professionals

The 114th AES Convention, the major annual European event of the Audio Engineering Society, opens Saturday March 22nd at Amsterdam’s RAI Convention Center, and runs until next Tuesday, March 25th.

As the only professional Convention devoted exclusively to audio technology, the AES shows in Europe and the U.S. (in the fall) are known as important gatherings for exhibitors, engineers, scientists and those from the recording, broadcasting and live sound worlds. In Amsterdam, AES is expecting a large attendance of audio professionals from all parts of Europe, as well as from Asia and the U.S.

In a question-and-answer session, AES executive director Roger Furness explains the key elements of this year’s European AES show.

Roger, why did the AES choose Amsterdam as this years location?

“The AES Conventions go to different places throughout Europe each year, in order to enable a larger geographic audience to take part. Amsterdam is easy to reach and it is an enjoyable and cosmopolitan metropolis. In the future we will be adding new cities in Europe.”

What makes the Exhibition floor at an AES Convention so important?

“There is no other place in the world where you can find all the important pro audio companies under one roof – the AES exhibition is all about audio. This means that not only the big names, but also smaller companies and developers have the opportunity to show their products on a level playing field. So people who go around the exhibit floor don’t miss a new product from a small company because it is overwhelmed by a huge multi-media presentation on the stand next door.”

During the last couple of years, the pro audio business has changed quite a bit. How does the AES react to this change?

“The AES Convention adapts from year to year to meet the wishes and needs of the attendees. This time, we have added two main new elements: Exhibitor Seminars and Tutorial Seminars. These open up the Technical Program to people who might feel that the traditional program of papers and workshops concentrates too much on academic and theoretical topics.”

How are the Exhibitors Seminars and the Tutorial Seminars different from the traditional program?

“Let’s start with the Exhibitor Seminars. Within the traditional Technical Program there was no place for product-related information. This is exactly what the Exhibitors Seminars offer because new products need much more explanation and are more complex than they used to be. Genelec, for example, is giving an Exhibitor Seminar about their new subwoofer technology. DVD-Audio and SACD authorities will be telling us how to make recordings in these new formats.”

So the Exhibitor Seminars are presentations of a new product or product-related technology?

“Yes, exactly. We offer the new Exhibitor Seminars in a quiet room away from the lively atmosphere of the exhibition as concentrated one-hour presentations. We have already had a strong response from the Exhibitors, showing that this brand-new part of our program will be well received!”

And how about the Tutorial Seminars?

“The Tutorial Seminars are lectures about the fundamentals of audio. They are intended both as starting tutorials, and as refresher courses for engineers who may be moving into a new field or just want to brush up their knowledge. People from all backgrounds in pro audio, from the motivated student to the seasoned sound engineer, are welcome to this new type of technical presentation.”

How many Tutorial Seminars does the Convention program offer?

“Knowledge is the basis for success, so we organized a complete series of Tutorial Seminars with, in total, 10 different topics. Lectures will be held every day in the morning and afternoon. The Seminars will be given by presenters who are experts in their field and are experienced in giving tutorials.”

Apart from the Exhibitor Seminars and the Tutorial Seminars – what do you feel is the most important event at the show?

“Well, don’t forget our traditional Technical Program. It is a good reflection of the state of developments in the industry and in new technology. This year’s program is the strongest we have ever offered in an European Convention! Due to some slight changes we now offer a diversified program with Papers, Posters and Workshops. We have also organized Technical Tours, an intensive Students program and a set of Historical Events and Social Events.”

“However, I really believe that the two new seminar formats we are introducing are very fundamental and important additions to our Conventions. The AES has always been the source of audio information – but now, not just at a very high level – but for every single visitor to the show. I look forward to seeing you in Amsterdam for a highly informative and exciting Convention.”

AES 114th Convention Web Site