Yamaha DM2000 and 02R96 Digital Consoles Win Press Accolades in 2003 MIPA Awards at Musikmesse

Yamaha consoles made a strong showing in the 2003 MIPA Awards, presented at Musikmesse ProLight+Sound in Frankfurt.

Yamaha’s DM2000 digital console won the Best Mixing Desk (High End) award, ahead of the other category nominees – Solid State Logic’s XL9000K, and Yamaha’s own 02R96.

The Yamaha 02R96 came into its own in the Best Mixing Desk (Project Studio) category, where it won the award and finished ahead of Behringer’s DDX 3216, and the Soundcraft Spirit E.

The Yamaha DM2000 repeated in the Best Mixing Desk (Live) category, where it was up against DiGiCo’s D5 Live, and the InnovaSon SY40.

The MIPA Awards (Musikmesse International Press Awards) are the result of voting by representatives of 55 major music and audio magazines, published in 25 countries including the U.S.A., Canada, U.K, Germany, France and The Netherlands. The 2003 awards were given out in 40 categories, covering recording and live sound equipment; music and audio software; instruments including keyboards, drums, bass and guitar; and dance/groove-gear.

Other notable awards in the audio hardware and software categories included:

  • Line6 Variax (Best Innovative Product)
  • Digidesign Pro Tools HD System (Best Recording Hardware)
  • Emagic Logic 5.5 (Best Recording Software)
  • Lexicon MPX550 (Best Recording Effects – Hardware/Software)
  • Waves 360 Surround Toolkit (Best Surround Tools)
  • Dynaudio Acoustics Air-Series (Best Studio Monitor – Nearfield)
  • Blue Baby Bottle (Best Studio Microphone)
  • Neumann KK105-S (Best Live Microphone)
  • AKG D 440 (Best Drum-Microphone)
  • Nexo Geo (Best Large-Format PA System)
  • Dynacord Cobra (Best Club PA System)
  • Propellerhead Reason 2.0 (Best Software Instrument)
  • Native Instruments Kontakt (Best Sampler – Hardware/Software)
  • Vienna Symphonic Library (Sound Library)
  • Pioneer DJM-3000 (Best DJ-Mixer)
  • Stanton Final Scratch (Best DJ Software/DJ Tools)
  • Numark TTX-1 (Best Turntable/CD-Player)

Complete List of 2003 MIPA Awards Winners & Nominees

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Propellerhead Software’s Reason Wins MIPA Award for Best Software Instrument for the Second Time

At Musikmesse, Sweden’s Propellerhead Software has been showing a new, updated version of its Reason virtual studio package – Version 2.5 – featuring several new software synth and processing modules.

Now Propellerhead is proud to announce that the current Version 2.0 of Reason has been awarded the Musikmesse International Press Awards (mipa) award for Best Software Instrument – for the second year in a row.

Propellerhead co-founder Ernst Nathorst-Böös accepts the 2003 MIPA Award for Best Software Instrument at Musikmesse in Frankfurt

The mipa awards are voted on and presented by a coalition of over 55 magazines from over 25 different countries. The awards were presented to the winners at a special mipa Party and Awards Ceremony, attended by more than 300 international representatives of manufacturers and distributors of musical instruments and audio equipment.

Reason is an enormously successful software program for both Windows and PC platforms that emulates a rack of electronic synthesizers, samplers, drum machines and recording equipment. Reason has been awarded Editor’s Choice Awards from Electronic Musician, Mac World, Remix, Computer Music magazines and cnet.com, mipa award for Best Software Instrument and the highly coveted TEC award.

The new Version 2.5 of Reason, which made it’s debut during Musikmesse, will be available in the second quarter of 2003.

Propellerhead Web Site

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Behringer Introduces New Low-Cost Gear for Home Recording and the Project Studio

Following on from an energetic appearance at Winter NAMM in Anaheim in January, where they launched no less than 13 new products for studio and stage applications, German audio equimpment maker Behringer has rolled out even more new gear for the European audience at Musikmesse in Frankfurt.

Along with 4 new guitar and bass amps for stage work, a pair of new DJ mixers, and a 16 x 2 rack-mount line mixer, Behringer’s Musikmesse launches include a couple of extremely affordable units aimed at the project studio and home recording crowd.

Mastering Studio in a Box

Behringer’s Ultra-Curve Pro DEQ2496 ($380 US) is a single rack space module, a mastering processor with dedicated 24-bit/96kHz internal and external processing performance that Behringer says will ‘put the world of professional mastering within reach of every studio.’ It certainly offers a rich set of features for the price.

At the heart of the DEQ2496 are two high-performance 32/40-bit floating-point SHARC® digital signal processors, and AKM® A/D and D/A converters with 113 dB dynamic range. These allow the processor to deliver the kind of clarity, warmth and punch to a mastering mix that you might expect of a high-end professional facility.

New Behringer Ultra-Curve Pro puts the power of professional mastering within reach of every studio

Insert the Ultra-Curve between the stereo output of an analog or digital mixing console and a workstation or master recording media, and it will enhance the dynamics of the recorded material, creating broadcast-ready material previously not available outside a professional mastering studio.

The DEQ2496 features 4 selectable EQ modules with 31-band graphic EQ, 10-band parametric EQ, Feedback Destroyer, plus three Dynamic EQs per stereo channel. A patent pending VPQ (Virtual Paragraphic EQ) option allows parametric control of graphic EQs.

Effects include a flexible compressor/expander function with peak limiter on each stereo channel, as well as an additional stereo imager and stereo delay for delay line applications.

An ultra high-resolution 61-band real-time FFT analyzer with additional auto EQ function makes room and loudspeaker equalization easy. Multi-functional level meters like peak/RMS, VU and SPL meter with dBA/dBC weighting via a RTA mic input provide all the visual control needed. Furthermore, 64 user memories facilitate complete setups and individual module configurations to produce quality masters.

Separate RTA mic/line input with phantom power, professional wordclock input, and MIDI connections enable full remote control, preset dumps and system updates. Balanced inputs and servo-balanced outputs with gold-plated XLR connectors, as well as AES/EBU and S/PDIF ins and outs (XLR and optical) guarantee compatibility in almost any recording and live situation.

The Ultra-Curve Pro’s software can be updated via MIDI, while an internal switch-mode power supply ensures maximum flexibility, noise-free audio and superior transient response at very low power consumption. Shipping is expected in the second quarter of 2003.

High-End, Low-Cost Vacuum Tube Preamp

Also worth a close look and listen, Behringer describes the new Tube Ultragain MIC100 ($50 US) as ‘the ultimate tube-based sound-enhancing tool for studio, live and hard disk recording applications.’

The MIC100 is designed around a 12AX7 vacuum tube, and it features UTC technology for exceptional warmth and low noise. It complements studio-grade condenser mics nicely, and it can also be used as a DI-box.

The Tube Ultragain MIC100 features low-noise mic preamp circuitry that uses discrete components for a highly transparent sound. It has a phase reverse switch, phantom power supply, LED metering and a switchable pad function.

Thanks to Behringer’s proprietary Ultratube (UTC) technology, the Ultragain is said to show excellent low-noise and low-distortion properties, while lending characteristic analog punch to percussion instruments and signals that are rich in high harmonics. As a DI-box, it can eliminate the dull sound of standard digital recorders and sound cards.

Behringer says the MIC100 is ideal for use in home recording or professional project studio situations, as well as live on stage. It will be available in the second quarter of 2003.

Behringer Web Site

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Wireless Flat-Panel Surround Loudspeakers Add to Philips High-End Matchline TV Range

Philips Consumer Electronics will add a new loudspeaker model to its Matchline CRT TV range in Europe later this spring. The AD904W will be a flat-panel design, using NXT transducer technology, and wireless as well.

The new speaker is intended for rear-channel applications in a home theater setting. The combination of flat and wireless should make for the ultimate in installation convenience.

Philips: “The AD904W offers an out-of-the-box home theater package, and is designed to ease integration into the family living space by use of NXT’s slim, high-design audio technology, and Philips’ own proprietary wireless technology, which removes the need for unsightly and awkward cabling.”

NXT flat-panel transducers exhibit excellent dispersion characteristics, so the relationship between speaker placement and listener is less critical than with many other loudspeaker designs. Philips says the AD904W will be able to produce a pure, coherent and uncoloured sound that is exceptionally smooth and balanced from any listening position in the room.

Commenting on the launch, Graham Ryan, NXT’s Director of TV and Home Audio applications: “Philips is one of our oldest partners, with a track record of launching excellent products using NXT technology. We’re delighted by this launch and see it as further recognition of the fit between NXT technology and the modern design aesthetic.”

The growing list of Philips products using NXT technology includes both 2.1 and 5.1 multimedia loudspeakers ensembles, an exciter for car audio applications that is currently under development by Philips Sound Solutions.

Philips Consumer Electronics Web Site

NXT Web Site

MODE 1.0 from Cycling ’74 Brings 5 New Audio Plug-ins to Mac OS X (VST, MAS, and RTAS)

Cycling ’74, the good folks behind the Max/MSP graphical programming environment for audio and MIDI, and the enormous Pluggo collection of Max/MSP-based plug-ins, is preparing to publish MODE 1.0, a set of five unique instrument and effect plug-ins for Mac OS X.

MODE is being developed for Cycling ’74 by CreativeSynth Development, a programming team based in Boulder, Colorado. CreativeSynth does commercial and custom software products for musicians, sound designers, and other music technology professionals.

The MODE 1.0 package will include three virtual instruments and two effects units for VST, MAS and RTAS host applications. Cycling ’74 expects to begin selling the new software in the 3rd quarter of 2003, at a suggested retail price of $295 (US).

The MODE collection includes:

BANG: A single-voice percussion module that combines sample playback, FM synthesis, and analog-modeling drum synthesis, for sounds ranging from simple emulation to brand-new percussive hybrids.

The BANG percussion module

MONO: A monophonic synthesizer that combines the ease of use and warm filter effects of an analog synthesizer, with the control and clarity of an FM engine, for an instrument that is equally at home in the studio or on stage.

The MONO synth plug-in

POLY: A versatile polyphonic synthesizer loosely based on classic DCO synths. POLY uses waveforms sampled from some of the most popular vintage digital and analog instruments and features a unique polyphonic arpeggiator.

The POLY module is loosely based on classic DCO synths

SPIN: A rhythm-based effects processor that features a state-variable filter, panning effects, rhythmic gating, delay, distortion and bit-reduction for sounds that range from subtle modification to extreme abuse.

The SPIN rhythm effects processor

WASH: A unique new effects processor built around an interconnected network of 6 fully-controllable recirculating delay lines. More than a mere effect, WASH is an instrument in its own right-capable of anything from simple multi-tap delay textures to hour-long walls of morphing feedback.

Cycling ’74 Web Site

CreativeSynth Web Site

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