Denon’s New DVD-5900 DVD-Audio + SACD Multichannel Universal Player Dream Machine Due In Stores Soon

Denon USA will follow up the success of its popular DVD-2900 universal/combo DVD-Audio + SACD multichannel player, introduced earlier this year, with the launch later this month (September 2003) of an up-scale model, the DVD-5900 ($2,000 US).

Think of a desirable audio feature, and Denon's new high-end DVD-5900 ($2,000 US) universal multichannel player almost certainly has it covered

Like Denon’s top-of-the-line DVD-9000 player, which handles DVD-Audio but not SACD discs, the new DVD-5900 features a proprietary Denon Link output. Denon Link provides direct digital transfer of multichannel DVD-Audio signals to the similarly-equipped Denon AVR-5803 audio/video controller/receiver.

The DVD-5900 will also sport a proprietary (and defeatable) PCM- and DSD-compatible IEEE-1394 (Firewire) I/O port, featuring Denon’s exclusive new Clock Synchronized System. This port will apparently work with upcoming Denon IEEE-1394-equipped products, to support direct digital transfer of multichannel audio from both DVD-Audio and SACD sources. When switched ‘off’ the ports are ‘Universal Standard,’ according to Denon’s preliminary information.

Audiophile buyers who have been disappointed by the compomised quality of the SACD format’s DSD output (Sony’s proprietary Direct Stream Digital method) from earlier universal multichannel players will be pleased that Denon is using a Sony second-generation CXD-2753 DSD decoder board in the DVD-5900. This means full-resolution SACD output, with no conversion of the DSD bitstream to PCM format.

Pure SACD/DSD output is also supported by 24-bit, 192-kHz PCM/DSD 1790 audio digital-to-analog output convertors (DACs), custom built to Denon specifications by Burr-Brown, that decode both PCM and DSD signals discretely with no down-conversion of DSD.

On the other hand, Denon also allows you to choose to convert the DSD output from SACD discs to DVD-Audio’s PCM bitstream format, in order to take advantage of options that are not supported by DSD: variable bass management crossover points (40/60/80/100/120Hz rather than fixed 100Hz), and adjustable delay time and channel levels.

On the PCM/DVD-Audio side, Denon indicates that DVD-5900 uses the new ESS Vibrato “Chroma Bug Free” DVD-Audio/MPEG decoder.

Like the DVD-2900 before it, the DVD-5900 also offers full digital bass management for both DVD-Audio and SACD output, using dual Analog Devices Melody 100 ‘HammerHead’ processors. This important feature means easy integration (and proper full-range playback) with the vast majority of multichannel audio receivers and controllers that do not apply their own bass management features to multichannel inputs.

The new player also comes loaded with support and decoders for an impressive array of audio formats and standards, including Dolby Digital, DTS Surround, HDCD, MP3, Windows Media Audio (WMA), SRS TruSurround, and something new labeled “AL24 Processing Plus” for all 6 channels.

For the ultimate in audio performance, Denon’s Pure Direct Mode allows you to turn off un-needed portions of the player’s video and audio processing path. Purity is further enhanced by the unit’s 3-box, 5-block internal layout, which isolates analog, digital and video circuits.

Other Features and Specifications

  • Plays Audio/Video CDs; DVD-Audio/Video; Super Audio CD; D+/-R/RW (conditional); Audio CD-R; Audio CD-RW; MP3/WMA CD-R/RW
  • Powered by the latest “DCDi by Faroudja” FLI-2310 Decoding Engine – finest available processing for film, video, graphics or mixed-mode content
  • Adjustable Chroma Delay and Level, White/Black Levels, CCS On/Off controls
  • Dual, discrete, Analog Devices ADV-7310 – 216 MHz, 4:4:4, 12 bit Video D/A Conversion system featuring Noise Shaped Video processing (1 chip each Progressive and Interlace)
  • 8x Oversampling Progressive and 16x Interlace output
  • Wideband relay switched component video outputs
  • Variable Black Level (Setup): 0 and 7.5 IRE
  • Passes below-black (PLUGE) on progressive and interlace outputs
  • (1) DVI-D (HDCP) Output with selectable 480p/720p/1080i output (DVD-Forum has not approved DVI output at this time, so this output will not be functional. Once Forum approved, an upgrade will be made available)
  • (2)Component Video outputs, 1 with Gold BNC connections
  • (2)Composite and (2)”S” Video outputs
  • 2X DVD read speed; 4X CD/CD-R/CD-RW read speed; with 8MB drive buffer memory
  • JPEG photo file viewer, Kodak Picture and Fujicolor CD compatible
  • Anamorphic Scaling for 4:3/16:9 Sets
  • 4:3 Squeeze and Zoom Controls
  • RS-232C and Remote in/out ports
  • Glo-Key remote control
  • Dimensions: 17.1″w x 5.5″h x 17.1″d
  • Weight 27.7 lbs.

Denon USA Home Audio Web Site

Yamaha RX-V440 Wins Home Theater Receiver Category at EISA European Home Theater Awards 2003-2004

Yamaha‘s Yamaha’s RX-V440 A/V receiver has won the Home Theatre Receiver category of the European Imaging and Sound Association (EISA)’s European Home Theatre Awards 2003-2004.

The European Imaging and Sound Association (EISA)’s membership of 50 leading magazines specialize in audio-visual and related products and are based in 20 European countries. Each June, EISA panels examine all audio-visual-related products introduced during the preceding twelve months and choose the best equipment in each category. The EISA Awards are considered to be among the most prestigious consumer electronics accolades, not only in Europe but the whole world.

The RX-V440 AV receiver is a high-performance, high-sound-quality receiver that is completely compatible with the latest 6.1 channel surround features. The EISA European Home Theatre 2003-2004 award was given based on a comprehensive evaluation of the RX-V440’s all-around functionality, easy set-up process, high-quality sound, and high ratio of performance to cost.

Yamaha also took the award in the High-end AV Product category, for its DPX-1000 projector. The DPX-1000 employs the most up-to-date generation of full-digital DLP projector technology, featuring a newly-developed, high-performance optics engine. The EISA award was in recognition of the DPX-1000’s high-precision color fidelity as well as its incorporation of advanced technology that enables an “amazingly” high contrast ratio and film-like picture quality.

The RX-V440 ($299 US) is designed to provide excellent performance and an easy operation design at an affordable price. It features Yamaha’s Digital ToP-ART design concept, high current amplification, a 32-bit Cinema DSP LSI, full surround format compatibility, 24 surround programs with Yamaha’s exclusive Quad-field Cinema DSP, Silent Cinema, On Screen display, and 96kHz/24-bit DACs for all channels.

Key Features of the RX-V440

  • High power 6-channel discrete amplifier configuration (75W x 6) [20-20,000 Hz, FTC]
  • Digital ToP-ART (Total Purity Audio Reproduction Technology)
  • High Current Amplification for high sound quality
  • Compatibility with the latest movie sound formats including Dolby Digital EX, Dolby Pro Logic II, DTS-ES Discrete 6.1 and DTS Neo:6
  • Powerful 32-Bit Yamaha LSI (YSS-938) for Cinema DSP processing
  • 24 surround programs (44 variations) with Silent Cinema and Night Listening modes
  • Front panel Video Aux input terminals
  • Speaker A, B, or A+B selection
  • 2 component video input terminals

Yamaha USA Web Site

New Ultrasone Beatmaster Headphones Safely Deliver High Output Level and Focused Lows for Studio Drummers and Bass Players

German headphone maker Ultrasone is offering a new model for professional musicians and recording engineers. The Ultrasone HFI-550 Beatmaster (price TBA) is now available in the North American market (United States, Canada, and Mexico) through EARS Audio Distribution.

The Beatmaster is designed to satisfy the needs of studio engineers and musicians alike through its focused low frequency response, precise and detailed instrument placement, and impressive power handling.

EARS Audio proprietor Linda Albright notes that the Ultrasone HFI-550 will be particularly suitable useful for bass players and drummers laying down tracks in the studio. It specs out with frequency response of 15Hz – 22kHz, impedance of 32 ohms, and it can deliver sound pressure levels up to 100dB.

The HFI-550 Beatmaster is a foldable, closed-back, circum-aural studio headphone featuring Ultrasone’s patented S-Logic(tm) Natural Surround Sound technology. It is available in reduced magnetic field emissions versions, incorporating ULE(tm) Ultra Low Emissions technology.

Ultrasone’s unique S-Logic technology uses decentralized transducer positioning to create a natural three-dimensional sensation, without the use of processing. These headphones produce a broad, stereophonic surround soundfield that is located in front of the listener.

An added benefit of the S-Logic system is that listeners perceive the same volume with sound pressure levels at the eardrum reduced by up to 40 percent. This reduces the risk of hearing damage, while also ensuring hours of fatigue-free listening.

Ultrasone also employs patented ULE™ (Ultra Low Emission) technology to protect users from low frequency EMF emissions. All Ultrasone headphones are available in versions that offer two levels of shielding against EMF radiation, in accordance with international and German standards. Ultrasone LE Low Emissions versions offer a reduction of up to 60 percent while ULE Ultra Low Emissions models reduce EMF radiation by as much as 98 percent.

Based near Munich, Germany, Ultrasone AG has been manufacturing headphones for the professional audio market for over 12 years, during which time the company has developed and applied for more than 60 patents for its innovative technology. The company’s unique, patented S-Logic™ technology creates natural surround sound without the use of additional electronic devices. Ultrasone headphones additionally represent a safer listening experience, not only by generating a 40 percent lower SPL for the same perceived loudness but also by offering reduced EMF radiation through the use of patented ULE(tm) (Ultra Low Emissions) technology.

EARS Audio Distribution Web Site

TerraTec Delivers Aureon 5.1 Surround Audio USB Interface for PCs and Laptops

Creative Labs has had the market for 5.1 surround audio add-ons for Windows computers to itself for a while now, with its Audigy 2 series of cards and interfaces. No longer: rival developer TerraTec has come up with a competing product that will be especially appealing to laptop users.

TerraTec‘s new Aureon 5.1 USB audio interface will be available early in September. According to TerraTec, the Aureon 5.1 USB doesn’t require complicated installation or configuration – no special drivers or separate power supply: just plug the compact device into a USB port on your PC, and you’re ready to go with multichannel audio.

The Aureon supports “genuine” surround sound over 5.1 channels (with 6 analog outputs and 2 inputs). It has gold-plated connections, digital inputs/outputs, as well as a microphone input and headphones output. This little sound machine also offers everything else you expect from a good audio card. For pure listening pleasure, particularly for your DVD software, current standards such as Dolby Digital, AC3, DTS and Dolby Pro-Logic II are supported (but not built in).

TerraTec bundles the Aureon 5.1 USB with a couple of useful software packages. Remix your MP3 and audio CD collection like a professional DJ with Native Instruments Traktor DJ, and convert your PC into a genuine home theater with InterVideo WinDVD.

Key Features

  • 6 analog outputs (cinch)
  • 2 analog inputs (cinch)
  • Combination microphone / optical digital input
  • Combination headphone / optical digital output
  • 16 bit/48 kHz signal processing of the analog and digital inputs and outputs
  • USB 1.1 port Plug&Play support without driver installation

TerraTec Web Site

Dolby Labs Offers Free Downloadable Guide to 5.1 Surround Music Production Techniques

Three years after the launch of the new multichannel music delivery formats, many artists, engineers, and producers are still looking for fundamental information on how to best mix and manage music in the multichannel environment.

To assist the professional music production community with the transition to surround, Dolby Laboratories has authored a primer detailing best practices for this rapidly-developing market.

Dolby 5.1-Channel Music Production Guidelines is available immediately as a free PDF download from the Dolby Laboratories Web site. Dolby says its guide is the first such document to clearly present a technical blueprint for creating music in 5.1 channels.

The free publication covers a range of topics such as:

  • proper equipment and speaker placement
  • calibration for proper monitoring
  • metadata planning and implementation
  • program interchange guidelines
  • explanation of new terminology associated with 5.1-channel production

Of particular interest to mix engineers approaching surround mixdown for the first time, the Dolby publication also provides accurate information that dispels myths concerning both center-channel and LFE-channel usage.

Mix and mastering data sheet templates for 5.1-channel projects are also included.

“This document gives a well-rounded technical overview for those producing music for 5.1-channel delivery to consumers,” comments John Kellogg, General Manager for Multichannel Music, Dolby Laboratories.

“Dolby will update it regularly as new and better techniques for creating surround music mixes evolve.”

Dolby Labs Web Site