TerraTec Offers New Professional-Quality Mic Preamplifier, D/A/D Converter Rack Units

German sound and audio works TerraTec Electronic is offering a new professional preamplifier/converter for PC-based workstations. The EWS MIC8 AudioSystem is a standard 19-inch rack unit with eight high-quality balanced line and microphone inputs, and eight balanced outputs. It should be available in late January 2003.

Other features of the MIC8 include 48V phantom power for condenser mics, a low-cut filter per input channel, ADAT interface, EWS88 PCI card including 4 meter connection cable, 24-bit S/PDIF, 2 MIDI ports, WordClock I/O and flexible routing of all sources. The EWS MIC 8 will be available after the NAMM.

The core 8-channel microphone preamp of the EWS MIC8 AudioSystem was developed by TerraTec in close cooperation with SPL (SoundPerformanceLab) Germany. It can be used as a stand-alone device – for example, as a microphone preamplifier, or as 24-bit/96-kHz AD/DA converter in connection with ADAT devices or cards – or connected to a PC-based workstation through the available TerraTec EWS88 PCI card.

TerraTec also introduced a lower-priced companion product at NAMM, based on the MIC8 19″ module. The AudioSystem EWS MIC2 offers all of the features of the MIC8, including the 8 balanced analog inputs and outputs, but with only two microphone preamps rather than eight.

Each of the new rack units is available individually, or in a bundle (MIC8+, MIC2+) with the EWS88 PCI card and connection cable.

Key Features of the MIC8 & MIC2

  • 19″ rack mounted external module for EWS88 PCI card interface (hardware version 2.0 or later), or any ADAT interface cards
  • 24 bit/96 kHz A/D converters with 105 dB (A) SNR
  • 24 bit/96 kHz D/A converters with 106 dB (A) SNR
  • 8 channel balanced analog I/O, XLR and 6.3 mm stereo jack
  • 8 gain controls on front side for analog inputs (20 dB range)
  • 8 input signal and clip LEDs on front side
  • 2 XLR balanced Mic In’s on front side, alternatively to input 7 and 8 (auto priority)
  • Input switchable between Mic and Line/Instrument
  • 8 (2 with MIC2) high quality microphone amplifiers, developed in co-operation with SPL Germany
  • Direct Out setting for all analog channels on front side (monitoring)
  • Phase, low-cut and mute settings for each channel
  • 48 Volt phantom power
  • High quality headphone DAC and amplifier for monitoring the mixed signal
  • Internal power supply
  • Integrated ADAT interface (Light-Pipe)
  • TOS-Link interface for ADAT or S/PDIF
  • Up to 8 ADAT channels and audio channels can be mixed
  • 2 separate MIDI-interfaces (with EWS88 PCI card)
  • WordClock I/O
  • +4/-10 dB setting
  • Stand-alone operation mode (microphone preamp, ADAT interface, DI-Box)

TerraTec Web Site

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Macrovision Introduces CDS-300 Security and Rights Management Solution for Music CDs

At the Midem 2003 music industry event in Cannes, France, copy protection technologies vendor Macrovision has announced that it will release a new multi-level copy protection and rights management solution for music CDs in the first quarter of 2003.

CDS-300 is the first result of Macrovision’s acquisition of copy protection software developer Midbar last year. Macrovision says it provides multi-level security that inhibits unauthorized file sharing and piracy, while allowing consumers to make limited copies of rights-protected music CDs to their personal computers. With CDS-300, users can make a back-up copy of the original encrypted disc on any PC through the Microsoft Windows Media Player and listen to their music without the CD present.

CDS-300 includes the following features:

  • Enables playability on PCs through the Microsoft Windows Media Player
  • Users may copy files to their Windows Media Library for playback without the original CD
  • Creates barriers to “open source” Red Book audio sessions
  • Music files will not play if distributed over the Internet or e-mailed
  • No Internet connection or additional plug-ins necessary for the consumer
  • Maintains original audio quality

“The music industry can’t afford a third successive year with a 5-10% drop in revenues. Our customers and partners in the music industry are working overtime to deliver high entertainment value and creative content to their customers while, at the same time, working to ensure content creators are paid fairly for their creative works and are making substantial investments in the sales, marketing and distribution of their music products,” said Mark Belinsky, senior vice president and general manager of Macrovision’s Music Technology Division.

“Macrovision is working hard to develop and deliver a full complement of copy protection and DRM solutions to achieve these important objectives.”

Macrovision acquired Midbar Tech Ltd. in December 2002. The combined Macrovision and Midbar engineering and R&D teams bring significant technical and support resources to the new music technology division.

Cycling ’74 Releases radiaL – New Loop-Based Performance Software

Cycling ’74 demonstrated radiaL 1.0 at the Winter NAMM show. radiaL is an extensible loop-based composition and performance tool designed for Macintosh users looking to explode the boundaries between live performance, sound design, and composition.

radiaL is not simply another loop sequencer for real-time tinkering with tempo and pitch on multiple loops. radiaL is a loop-based performance software with a beautiful and unique interface thoughtfully optimized for playing live.

The program is based on loop channels represented by circular displays, each with its own performable multi-filter and pitch shifting/time scaling. Almost every aspect of the system can configured for live performance, studio recording, or sound exploration, controlled from a variety of sources (control surfaces, MIDI, keyboard or mouse).

radiaL features complete multi-channel audio I/O support, audio and effects routing, and support for VST plug-ins. It supports all major audio file formats and I/O standards. As a bonus, you get a dozen VST plug-in effects from Cycling 74’s Pluggo collection, and a crucial tempo-synchronized filter/delay.

Key Features:

  • Sample-accurate loops and syncing
  • Support for AIFF, WAV, and MP3 files
  • Dynamic interchange of loops and DSP effects
  • Built-in library of external MIDI controller templates and the ability to add your own
  • Insanely flexible audio routing and support for ASIO, ReWire, DirectConnect, and VST on OS 9 and CoreAudio on OS X
  • Record direct to disk record on the fly
  • A free library of loops

Price and Availability

radiaL has a suggested retail price of $249 and will be available for purchase or download from www.cycling74.com on January 31. An OS X version of radial will be released in Q2, and will be available as a free upgrade to all registered radiaL users.

Cycling ’74 Web Site

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Cycling ’74 Releases Max, MSP & Jitter for Mac OS X, Demos Windows Version

At the Winter NAMM Show in Anaheim earlier this month, Cycling ’74 announced the release of OS X versions of its popular interactive graphical programming environment Max; the MSP collection of audio signal processing objects for Max; and the Jitter extensions for video, 3d graphics, and matrix-based data processing.

Also at NAMM, Cycling ’74 demonstrated Windows versions of Max, MSP and Jitter for the first time.

The Max program family has been the premiere environment for the development of interactive media and live performance applications for over a decade. Until now, though, it has only available on the Macintosh platform.

The new versions of MAX/MSP take advantage of Mac OS X’s Core Audio and Core MIDI, which make the use of multiple I/O audio interfaces straightforward and renders OMS and ASIO unnecessary.

“We are excited about having MAX/MSP and Jitter leverage the advanced technologies within Apple’s super-modern operating system, Mac OS X,” commented Cycling ’74 CEO, David Zicarelli.

“Mac OS X features Core Audio, Audio Units, Quartz, Java, QuickTime 6, symmetric multiprocessing, and hardware support that provides opportunities for further evolution of MAX/MSP and Jitter that was not possible in OS 9.”

Building applications with Max is fun and interactive. It lets you work at a level of detail that is unmatched by other software synthesis or video/3D graphics manipulation applications. You build programs (called “patches”) by connecting graphical objects together. Some objects perform calculations and others make up the user interface of your program. The moment you connect two objects, the program is working. If it doesn’t work the way you want, just try something else.

MSP adds a large set of objects that you connect together to make audio patches where signals flow from one object to the next, and the Jitter collection of objects lets you create video or 3D graphics patches or work with any matrix-based data.

The main goals of Max are to let you control anything with anything and to explore cross-media applications by prototyping and constructing custom interactive media applications and interfaces. It lets you schedule events with millisecond accuracy, create complex mappings for incoming data, and run a large number of operations in parallel.

The Windows versions of the software will allow for cross-platform development of applications. Max/MSP/Jitter patches developed on one platform will open seamlessly on the other, and use consistent abstractions for all types of media protocols and interfaces, including MIDI, digital audio soundfiles and interfaces, digital video, and 3D graphics.

The Windows version supports PCs running Windows XP with audio devices supported by WAV, DirectSound, or ASIO. Max/MSP hosts ReWire devices and VST plug-ins and supports all major audio file formats. Features are essentially identical between the Windows XP version and Mac OS X versions.

Users will be able to develop their own Max, MSP, or Jitter external objects written in C, and distribute their work to others using the free MaxMSP runtime application. Support for developing VST plug-ins on Windows will be available shortly after the initial Windows release.

Pricing and Availability

New versions of Max, MSP, and Jitter for Mac OS X will be available by the end of January. Max has a suggested retail price of $295 (US), Max/MSP has a suggested retail price of $495 (US), and Max/MSP/Jitter has a suggested retail prices of $850 (US). OS X versions of all three software packages are available to users of Max/MSP 4.0 and Jitter 1.0 and higher as free updates.

The Windows versions of Max, MSP and Jitter will be available in the second quarter of 2003, pricing identical to the Mac versions. Low-cost upgrades (cross-grades) will be available for Mac users.

Cycling ’74 Web Site

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Barix Introduces Ethernet Network MP3 Player to U.S. Through Grid Connect

Swiss networked-audio specialist manufacturer Barix has announced U.S. availability of Exstreamer, an Ethernet network MP3 player that allows users to enjoy MP3 files and digital audio on their home stereo and entertainment systems.

Exstreamer is now available online through Barix’s U.S. Master distributor, Grid Connect, selling for $149 (US). At has been available direct from Barix in Europe for several months.

The Mac- and PC-compatible Exstreamer distributes high-quality audio throughout the home from PCs, the Internet and digital audio servers. The device can be controlled from anywhere on the network using a standard Web browser.

With open, well-documented software interfaces, the device is easily integrated with additional consumer, commercial and professional audio applications.

In February 2003, Barix also will introduce Exstreamer Wireless in the U.S. The $249 (US) device, already shipping in Europe, streams digital audio and MP3 files throughout the home via wireless 802.11B networks.

“The Exstreamer product line is the most cost-effective, user-friendly and innovative way to manage and enjoy digital audio via any home or commercial network,” said Barix founder and CEO, Johannes Rietschel. “This represents the next generation of digital audio products that provide perfect sound and universal connectivity.”

“Exstreamer and Extreamer Wireless provide our partners and customers the solution to the challenge of connecting audio devices affordably and with best quality to common network infrastructure, whether for consumer, professional audio or commerial applications”, Mr. Richtel claims.

“The Exstreamer can be used for home audio applications, enabling you to listen to your favorite songs on your home stereo or even in the bathtub. In commercial, retail and security markets, the Exstreamer can provide music-on-hold, background music, security announcements and also be used in a variety of other networked audio applications “, he adds.

Barix Web Site

Grid Connect Web Site