Yamaha D24 Multitrack Recorder an Affordable Non-Linear Alternative To Tape

24-bit, 96 kHz Digital Recording on 3.5-in. Disks

In a technological achievement which will enter Yamaha into the digital multitrack recorder market, Yamaha Corporation’s Professional Audio Group has announced the launch of an affordable, 24-bit, 96 kHz digital multitrack recorder at AES ’98.

Based on readily available 3.5-in. magneto-optical disks, the D24 Digital Multitrack Recorder offers 16-, 20-, 24-bit, 8-track simultaneous record and play capability at 44.1 and 48 kHz sampling rates, and 4-track record/play at 96 kHz. Additionally, the D24 offers modularity, all the benefits of non-linear editing, and the convenience of removable media.

Intended as an alternative to tape-based modular digital multitrack recorders, the D24 will become the perfect companion for use with Yamaha 02R, 03D and 01V digital mixers, as well as mixers and equipment from other manufacturers. Up to eight units can be synchronized to create large recording systems. Other benefits include digital I/O in a variety of formats, editing capabilities and a range of special features.

“Yamaha is entering the magneto-optical recorder area to expand our business in digital audio systems,” states Larry Italia, sales/marketing manager, commercial audio. “We’re very proud to present this technological achievement. According to market reaction so far, we expect the D24 will be a very profitable and successful product.”

The D24 is intended to serve as a multitrack recorder for music recording and mixdown, post audio applications for television and film, and live playback for theater and other live sound applications. With its unprecedented audio performance — 24-bit dynamic range and 96 kHz sampling rate — the D24 is an ideal solution for the music and post production markets which have been voicing their desire for higher resolution in all parts of the audio chain. The D24 is also well-suited for surround sound applications. Delivery of the D24 is expected to begin 1st quarter of 1999.

“The market has been waiting for a practical alternative to linear storage,” notes Peter Chaikin, product manager, digital products. “The D24 has been designed to be a drop-in alternative for tape-based digital multitrack recorders.”

“In the spirit of providing tremendous value such as that found in our digital mixing consoles, we’d now like to introduce a unique product in the recording area which offers unprecedented value and performance,” continues Chaikin. “Yamaha has been waiting for this opportunity when our internal capabilities and the available technology fall in line so that we can bring a recorder to the market with unique capabilities and tremendous power at a very reasonable price.”

Key benefits of the D24 are its editing capabilities which are possible due to its non-linear format. A variety of editing options are offered including the ability to copy, move, erase, delete and merge audio data. The D24 allows the recording of 8 tracks plus virtual tracks for unlimited editing possibilities. The D24 also has a +/- 6% vari-speed adjustment.

Coupled with non-linear editing benefits, perhaps the most important benefit of the D24 is the innovative use of the removable (and robust) MO disk. Whereas hard disk systems offer the benefits of non-linear editing, storage can become a problem. Backup is required and data must be off-loaded onto other media before hard disk space can be reused. “Project data is constantly moving through the pro facility,” adds Chaikin. “Removable robust MO storage is ideal for professional facilities because when a project is completed these low-cost disks can be swapped in an instant without the need for backup downtime or uploading of data.” With the introduction of the D24, Yamaha is now able to offer an all-digital production system from mic preamp to final mix with performance that previously would have been very costly.

I. General Overview
The D24 Digital Multitrack Recorder is a 24-bit, 96 kHz professional non-linear multitrack system, intended as an alternative to tape-based modular digital multitrack recorders for use in music recording and mixdown, post audio applications for television and film, and live playback for theater and other live sound applications. It is ideal for use with Yamaha’s 02R, 03D and 01V digital mixers, as well as mixers and equipment from other manufacturers.

II. Architecture
The D24 is an eight-track digital machine which records onto robust 3.5-in. magneto-optical disks. Each track also includes 8 virtual tracks for a total of 64 tracks. Eight-track recording time is 15 minutes at 16-bit, 44.1 kHz sampling rate and 9 minutes at 24-bit, 48 kHz, on a 640MB MO disk. Four-track recording time is 9 minutes at 24-bit, 96 kHz. Up to 512 songs can be recorded on each disk. The D24 can be connected to external hard drives via SCSI-II connector for alternate audio storage and direct to HD recording.

III. Editing Capabilities
The D24 offers the following editing functions: Erase, Delete, Copy Insert, Copy Replace, Move Insert, Move Replace, Loop and Merge for tracks and parts. Editing accuracy is to one-tenth of a frame. The ability to advance or retard a track in relation to another track is an essential capability for editing in film applications, for example.

IV. Synchronization Capabilities
The D24 allows synchronization to a broad range of protocols such as: MTC (MIDI Time Code) and SMPTE timecode (bit-accurate), video sync and word clock. The unit can be controlled via MMC (MIDI Machine Control) and 9-pin protocols (RS422) or optional remote control unit. Up to eight D24 units can be synched together with the use of a D-Sub (15 pin x 2) remote port.

V. Special Features
The D24 offers special features such as time compression/expansion, allowing the audio program to be compressed or expanded, two tracks at a time, from 50 to 200 percent. It is also possible to adjust audio pitch two tracks at a time without changing the tempo or duration of audio material.

VI. Sonic Quality
The D24 offers superb sonic quality and performance, with sampling rates up to 96 kHz at 24-bit resolution. Sampling rates of 44.1 and 48 kHz and resolutions of 16- and 20-bit are also available on a song-by-song basis.

VII. Input/Output
The D24 offers a variety of I/O options in the form of Yamaha’s MY8/MY4 series mini YGDAI interface cards which are the same as those used in the 01V digital mixer. Up to eight inputs and eight outputs are available in the following formats: ADAT, T/DIF, AES/EBU and analog I/O.

Massenburg Labs Adopts New Large-Market Strategy

Van Nuys, CA. George Massenburg, founder of George Massenburg Labs (GML), has announced that he is reorganizing his company to focus on new marketing, manufacturing and product support initiatives.

At the recent AES ’96 show in Los Angeles, Massenburg Labs introduced two new outboard modules, a parametric EQ and a digital noise filter, in keeping with the new strategy.

“These new products were entirely market-driven,” says Massenburg. “We just listened to what engineers asked us to make.”

The GML 9500 Dual Channel 5-Band Parametric Mastering Equalizer is an all-discrete design, similar to the SML 8200, will known for its detail, transparency, and headroom, as well as its broadly overlapping EQ bands. It differs from the 8200 in that all of its controls a fully detented, with frequencies accurate to 0.5% and levels to plus/minus 0.10dB. This makes the new unit ideal for tasks that require precise control and resetability, such as mastering. The 9500 fits a 3U 10″ rack space, and it will be priced at $9,500 (US). It will ship in the first quarter of 1997.

The GML 9550 Digital Noise Filter is also a rack-mount unit, supplied with a desktop controller. It’s a two-channel processor with digital I/O in AES/EBU, S/PDIF and Toslink optical formats. 8 front-panel controls adjust the threshold for each of eight bands from -96dB to 0dB. The 9550 was developed jointly with the Walt Disney Company, originally intended for enhancing sound in film post production, particularly the removal of noise from archival sources. It has specific applications in the restoration of deteriorated sources in music production, but it is also suitable for general removal of low- and medium-level noise artifacts. the 9550 is priced at $9,500 (US), and it is available now.

As well as introducing new products, GML has geared up to ship all of its established niche products in larger volume, including the 8200 EQ, the 8900 Dynamics Controller, and the HRT 9100 Mixing System. While beefing up the retail channel, GML will continue to upgrade its console automation systems, and carry on with custom product development for major pro audimanufacturers.

“Reorganization at GML is intended to better serve the industry,” says Massenburg. “We’ll have more new product announcements to make in the very near future.”

Developers Get Added Support: Brian Eno Leads the Way

Creative also paid due attention to the all-important producers and developers, without whom the new hardware features won’t mean a whole lot to many consumers. The company will release a range of tools for developers, including API’s, hardware and software. The developer tools will provide support for DOS, Windows 3.1 and Windows 95 environments.

Leading the way in creating new application capabilities for Sound Blaster, Creative’s COMDEX booth was showing off composer/producer Brian Eno’s “Generative Music 1,” a real-time computer-generated composition for the PC that creates evolving musical pieces each time it is played. Creative’s cards with the EMU8000 music chip (AWE series) are the only sound cards capable of supporting Eno’s piece, composed with SSEYO Ltd.’s Koan Pro authoring software.

Eno used the software to construct a set of automatic controls for more than 150 musical and sonic parameters supported by the AWE cards. “The works I have made with this system symbolize to me the beginning of a new era in music,” said Brian Eno. “Like live music, it is always different. Like recorded music, it is free of time-and-place limitations: you can hear it when you want and where you want.”

Software Upgrades for Current Owners

Not wanting to leave its user base of 30 million Sound Blaster owners out in the cold, Creative also announced at COMDEX that it will offer software upgrades to current users. The upgrades will be made available at retail, directly from Creative, and from Creative’s web site “Creative Zone”.

A trial version of the upgraded technology, called NetSynth, will be available from the web site in December. The plan is to make the new technology widely accessible to all PC users in order to raise the standard and broaden the installed base of Sound Blaster enabled users.

Upgrades for Sound Blaster 16 users will offer Creative WaveSynth, adding 32-note polyphonic wave synthesis and an effects engine. For Sound Blaster AWE32 owners (or SB32 with added RAM), the upgrade will also include the Sondius WaveGuide technology, effectively bringing

Creative Labs Introduces “Pro” Version of SoundBlaster

Las Vegas, NV. At COMDEX Fall’96, several new products announced by PC audio card leader Creative Technology Ltd. have mapped out a strategy intended to raise the quality standards bar for audio on home PC’s to what the company refers to as “professional” level.

The new products, all due to ship in January 1997, include a new generation of the Sound Blaster® series of sound cards, and new software and upgrades for both consumers and developers.

In the Sound Blaster line, the new introductions are the AWE64™ and AWE64 Gold™, which build on the successful AWE32™ model introduced last year. The new Sound Blasters deliver an advanced feature set for synthesis and record/edit applications, while maintaining compatibility with all of the previous Sound Blaster products.

Advanced features on both cards include…

  • 64-note MIDI polyphony
  • realtime digital effects and SoundFont downloadable samples
  • RAM upgradeable to 28MB for adding SoundFont sample banks
  • proprietary Wave Effects Synthesis with a patented multi-point interpolation algorithm for smooth reproduction and minimal distortion
  • Sondius™ WaveGuide synthesis for expressive, mathematically modeled music output
  • 3D Positional Audio spatialization
  • full-duplex capability for Internet communications and simultaneous playback and recording

Additional features of the AWE64 Gold include…

  • SPDIF digital audio output
  • 4MB of RAM standard on the card for better quality MIDI playback
  • 2MB, 3.5MB and 4MB General MIDI SoundFont banks onboard
  • gold-plated RCA connectors for line level outputs

Creative says it is targeting a home-hobbyist and consumer market interested in creation and playback of audio that rivals what is produced in professional recording studios.

“The Sound Blaster AWE64 Gold is a result of Creative’s pursuit for uncompromised audio fidelity,” says Sim Wong Hoo, Chairman and CEO of Creative Technology Ltd. “With these new products, and more to come, we expect a paradigm shift in the music creation, publishing and distribution industry that will result in a larger, expanded market.”

Both new cards come with a microphone and a complete suite of applications that provide tools for recording, playback and customization. Creative also bundles a set of Internet applications for browsing, streaming audio, Internet phone calls and conferencing. The Sound Blaster AWE64 Gold will have a retail price of $249 (US), and the regular AWE64 will go for $199 (US).