Universal Audio’s 6176 Channel Strip and 2192 Dual D/A & A/D Converter Win EQ Blue Ribbon Awards

Universal Audio, manufacturer of vintage audio hardware and DSP software plug-ins for digital audio workstations, will receive Blue Ribbon Awards from EQ Magazine for 2003 for its 6176 Channel Strip and 2192 Dual D/A & A/D Converter.

The 6176 combines two of Universal’s most successful products – the 2-610 tube-based mic/instrument preamplifier, and the 1176LN compressor – into a single “channel strip” product.

Universal's 6176 combines the quality and character of the 2-610 mic pre with the tone, lightning-quick attack and release times of the legendary 1176 compressor

The 2192 is a single rack unit analog-to-digital and digital-to-analog converter with simple front-panel controls. It supports sample rates up to 192KHz, and transcodes between AES/EBU, S/PDIF and ADAT digital formats in realtime, with single- and dual-wire AES modes.

Universal Audio's 2192 offers tremendous flexibility in signal routing and monitoring

EQ Magazine’s Blue Ribbons are presented in 22 categories, with the winners selected by EQ’s panel of editors and industry experts. Winners were chosen from the new products introduced at the Fall 2002 AES show and between the months of September and December 2002.

Universal Audio Web Site

More Universal Audio 2192 Info

More Universal Audio 6176 Info

Sonic Solutions AuthorScript Engine Powers Disc Burning in New MusicNet on AOL

America Online’s version of the MusicNet music subscription and download service, which launched today on AOL’s subscribers-only network, uses the AuthorScript SDK and AuthorScript Burn Engine by Sonic Solutions to power its CD burning features.

Support for CD burning in MusicNet on AOL allows members who browse and purchase music tracks from the vast MusicNet on AOL catalog to burn them safely and legally, directly to CD.

“We chose Sonic’s technology for our CD and DVD burn engine to enable CD burning in our new MusicNet on AOL service because they offer a proven solution that supports a range of recording and playback devices,” says Kevin Conroy, senior vice president and general manager, AOL Entertainment.

AuthorScript is the technology underlying Sonic’s media authoring applications, which have become the Hollywood standard for commercial title production. The AuthorScript API (Application Programming Interface) is a collection of C++ libraries that takes care of all of the low-level processes for converting video, audio, pictures, and graphics into a CD, DVD, Video CD, or Super Video CD disc.

The AuthorScript Burn Engine is an API (Application Programming Interface) that allows developers to quickly and easily add CD and DVD burning to most any software application. AuthorScript handles all of the low-level processes for converting and writing to CD and DVD media; this frees developers from having to tackle the complexities of device control and support and reduces the time to market.

Sonic recently added CD-ROM, DVD-ROM and audio mastering capabilities to AuthorScript via the award-winning Primo SDK technology that Sonic acquired from VERITAS in December 2002. AuthorScript, coupled with the newly-integrated VERITAS technology, offers the most complete set of data, media, and audio formatting and burning modules of any engine on the market. AuthorScript licensees include Adobe, Easy Systems Japan, Microsoft and Sony.

“With the explosive growth of CD and DVD recording, consumers have an almost insatiable appetite for burning their own audio and data discs,” said Mary Sauer, Senior VP of Business Development at Sonic. “AOL is the world’s premier online media company, and with Sonic’s AuthorScript SDK, AOL has the ability to integrate and deliver the most robust CD and DVD burning capabilities, as they have with the new MusicNet on AOL music subscription service.”

AuthorScript Burn Engine Features

  • ability to record Redbook audio CDs, single-session and appendable data CDs and DVDs, Video CDs, Enhanced and Mixed-mode CDs, and writing to and from disc image files
  • extensive drive format support including CD-R/RW, DVD+R/RW, DVD-R/RW and DVD-RAM
  • full functionality on double-byte and single-byte character set operating systems, including Windows 98SE/ME, Windows 2000 and Windows XP

Sonic Solutions Web Site

Grammy Broadcast’s Surround Audio Production Relies on Effanel and Lexicon

The CBS telecast of the 45th Annual Grammy Awards from Madison Square Garden on February 23 marked a major step forward in audio production for television: the broadcast was the first-ever network broadcast prime-time awards program to be heard in 5.1 surround audio. CBS distributed Dolby Digital CD-quality surround sound in a number of major markets on its High Definition Television Network.

The 5.1 mix was supervised by the legendary Phil Ramone, chairman of The Recording Academy’s Producers & Engineers Wing; and Hank Neuberger, Advisory Council member of the P&E Wing. Randy Ezratty, president of Effanel Music, was the official 5.1 sound designer, music mixers included John Harris and Jay Vicari, and the production mixer was Ed Greene.

The HDTV/5.1 broadcast was mixed and monitored by a combination of top-tier remote facilities, including Effanel Music’s renowned L7 remote recording truck and Effanel’s new OSR1 truck, along with All Mobile’s “Resolution” high definition production truck.

The Effanel L7 mobile unit handled the 15-plus music performances during the show. The truck’s AMS-Neve Capricorn digital console allowed the audio teams to generate both a purpose-built stereo mix and a separate 5.1 mix simultaneously. The stereo mix from L7 was routed directly to one of the stereo control rooms in the All Mobile Resolution production truck, staffed by production mixer Ed Greene. The 5.1 mix from L7 was fed to Effanel’s new OSR1 mobile recording truck, where Mr. Ezratty added other mono and stereo elements and sweetened the surround audio. He then relayed the final 5.1 surround mix to the All Mobile Resolution truck where it was sent over fiber-optic cable for broadcast.

A Lexicon 960L multi-channel digital effects system was a key piece of gear for the surround mix production.

As Randy Ezratty explained prior to the event:”The 960L is being used on the 5.1 broadcast to enhance the room microphones that we are already using in Madison Square Garden. There are some room anomalies in that space that we do want, and some we would like to minimize for the sake of musicality. Because the 960L has an extensive number of 5.1 surround halls and room presets, we can use those programs and ‘feather’ them into the 5.1 mix.”

“In addition, I’m using the 960L’s LOGIC7® algorithm on some of the stereo pre-taped elements. Using LOGIC7 on a few of these prerecorded stereo snippets will help keep the continuity of a 5.1 show as well as increase the audio’s impact.”

“The 960L room programs are superb and we have had a tremendous amount of experience with them,” continues Mr. Ezratty.

“Because it’s a live show and we’re going to be thinking on the fly, I need to use equipment with which I’m very familiar. Effanel has used the 960L on many previous projects, including DVDs for Tony Bennett and U2. It’s really the tool of choice for a project like this.”

Lexicon Web Site

Effanel Music Web Site

More Grammy Awards News

HBO Pushes Dolby Digital Surround Audio with New Season of Six Feet Under

HBO is demonstrating a growing commitment to high-quality audio broadcasting by adding another high-profile show to its growing schedule of programs featuring Dolby Digital 5.1 surround sound.

The upcoming season of Six Feet Under will begin broadcast in Dolby Digital 5.1 on HBO, beginning March 2. Technicolor Sound Services provides the editing and sound mixing for Six Feet Under.

“HBO has a commitment to the highest quality viewing experience for its customers, which is why we broadcast so much of our programming in Dolby Digital 5.1,” says Bob Zitter, senior vice president of Technology Operations for HBO. “That includes many Hollywood theatricals, most HBO Films, and HBO’s original series programming like The Sopranos and now Six Feet Under.”

Bruce Graham, senior vice president, Technicolor Sound Services adds: “Dolby Digital makes a big difference in the viewing experience. The clear, 5.1-channel surround audio allows the viewer to experience the show as the producer intended. We are really able to deliver the artistic integrity of the show.”

Six Feet Under won two categories at the recent Grammy Awards presentation in New York, for the musical soundtrack work of composer Thomas Newman. Mr. Newman’s “Six Feet Under Title Theme” (available on the album “Six Feet Under – Music From The HBO Original Series”) won the awards for Best Instrumental Composition and Best Instrumental Arrangement.

“Dolby Digital is an essential element to digital television, cable, and satellite broadcasting. More and more customers are expecting Dolby Digital surround sound when they watch TV and more and more broadcasters are meeting their customers audio demands with Dolby Digital,” says Tom Daily, director, marketing, Dolby Laboratories.

“Surround sound home theater systems have become very commonplace in homes and viewers want to utilize them whenever they watch TV.”

Dolby Laboratories Web Site

Event Tech Puts Radian Microwedges to Work on Fundraisers

Radian Audio Engineering’s MicroWedge series of low profile, ultra-compact monitor wedges have been winning friends recently, in live performance and broadcast applications.

Artists such as the Red Hot Chili Peppers, Linkin Park and Blink-182 have adopted the MicroWedge for their onstage monitoring, while the BBC, ITV and Channel 4 in the UK also use them regularly.

Now Event Tech, the Maryland-based event production company, has discovered that MicroWedges are well suited to corporate events as well.

The company has used them in a series of fundraisers across the U.S., including the Tour de Friends, a four-day, 330-mile bike ride from North Carolina to Washington D.C. to raise funds in support of people living with HIV/AIDS.

Event Tech has been using MicroWedge stage monitors to provide podium foldback in its standard mobile stage setup for the tour.

“We use the Radian MicroWedges for foldback for the presenters at the podium, and to fold back audio from the video that we play on a large outdoor LED wall,” explains company president and owner Eric Maynard. “That way, the presenter has some foldback of the information that the audience and event participants are hearing.”

With all of the audio equipment transported on a Stage Line SL250 Mobile stage and with many events attracting local and national TV coverage, it is important for the onstage monitors to not only sound good but also look good and be discrete, notes Mr. Maynard.

“These 12-inch MicroWedges were brand new, clean, low profile, and clear, which is helpful as far as fidelity goes. For a 12-inch speaker they sound great.”

“They’re very clean, and the design isn’t so boxy – clients like the way they look. They’re durable, but we also put them in a padded case, because we don’t want any problems with the way they look.”

For the events, the Radian MicroWedges join a compact package of high-end audio components on the Stage Line trailer.

“We have 12 flown JBL VerTecs, a very small mix arrangement with an Allen & Heath GL3300 console, and a pair of EV Polar Choice podium microphones,” says Mr. Maynard.

In addition to the Tour de Friends, Event Tech has supplied equipment to fundraising events in Boston, Cincinnati, Chicago, and San Francisco this year, with further events scheduled for Portland, New York and Los Angeles.

The company is a supplier of services to a huge number of corporate and political events, which have recently included the 2003 Capital Pride Festival, the Johns Hopkins University 2003 Commencements, Barney and Friends in Concert, and the 2003 MD Governor’s Inauguration. Event Tech regularly services the American Red Cross National Headquarters in Washington, D.C. for their public events.

Radian Audio Engineering Web Site

Event Tech Web Site