Metric – Synthetica, Download of the Day

Metric's Fifth Album Release Titled Synthetica

“Metric has created a great record, with great pop sensibilities. I hear 80’s synths, guitars that chime, and great rhythms. Youth Without Youth hasn’t left rotation on my MacBook & iphone since I got it. Great work from Metric!

With their fifth album, Synthetica, Toronto-bred electro-rockers Metric continue to blend sharp lyrics, memorable meolodies, and formidable beats with modern instrumentations. “Speed the Collapse” presents an unfolding drama driven by nervous-sounding drumming. “The Wanderlust” perfectly contrasts Emily Haines’ sweet singing with the legendarily unflappable delivery of guest duet partner Lou Reed. The horns toward the end of the title track, in turn, warmly complement its raw guitar power.

Metric Synthetica – Listen and Download Now

Metric Synthetica – iTunes Canada Store

Track Listing…

1 Artificial Nocturne 5:42
2 Youth Without Youth 4:17
3 Speed the Collapse 3:42
4 Breathing Underwater 3:56
5 Dreams So Real 2:40
6 Lost Kitten 3:16
7 The Void 3:17
8 Synthetica 3:54
9 Clone 5:13
10 The Wanderlust 3:10
11 Nothing But Time 4:04

Animoog App Discount Marks Bob Moog’s Birthday Celebration

Moog Music Inc. has dropped the price of its popular Animoog synthesizer apps for iPhone and iPad, to mark the 78th birthday of the late electronic music pioneer Robert Moog.

Price drop on Animoog iPhone app until May 29 2012

Animoog for iPhone is available from the App Store for $0.99 until May 29 2012

The iPad version of the feature-rich analog synth emulation is available right now at the App Store for $9.99 (regular price $29.99), and the scaled-down iPhone version is just $0.99 (regular price $9.99).

The steep discounts are in effect for one week, May 23rd through May 29th. The special pricing celebrates the May 23 birth date of Moog Music founder Bob Moog.icon

Birthday discount pricing on Animoog iPad app in effect to May 29 2012

The iPad version of Animoog is on sale for just $9.99, also until May 29 2012

Animoog is highly regarded as one of the most usable, fun, and great-sounding synth apps available for iOS devices. In particular, the iPad version with its multitouch control surface capabilities has gained a lot of traction amongst pros and serious home musicians.

On the other hand, the depth and complexity of the virtual instrument has been daunting for some users with less experience of real analog synthesizers. If you are in this category, make sure you take advantage of the many excellent online tutorials for Animoog, provided free by Moog Music and several pro audio training groups (see below for links to some of the best).

Google Honours Robert Moog’s Birthday with Minimoog Synth Emulator

To celebrate and commemorate the 78th birthday of electronic music pioneer and inventor Robert Moog (May 23 2012), Google has created one of its most amazing “doodles” yet: a full-blown, live-playable emulation of a Moog 3-oscillator analog synthesizer, embedded on the Google home page.

Permalink: Google’s Moog Doodle (play it online)

Think this couldn’t possibly be a serious piece of music tech? Check out the downloadable quick-start manual for the Moog Doodle, available from Moog Music’s site (click the image below to get the PDF):

Moog Music offers a downloadable PDF quick start guide for the online Google Doodle Moog

As you can see, this Moog synth emulation provides 3 oscillators, with control over waveform as well as tuning for each oscillator; a full-featured low-pass filter with a simple dedicated envelope; and a sweet pitch-glide control to give you those distinctive 70s swooping effects.

The Moog Doodle is playable on Google’s home page, using your mouse or your computer’s keyboard (the qwerty row is mapped to the “white keys”, and the number row covers the “black keys”). You can even record what you play, using the simulated 4-track reel-to-reel tape deck.

Google's home page featured a working emulation of a Moog synthesizer on May 23 2012.

GT Audio Works GTA2 Planar Magnetic Speakers at NY Audio Show

GT Audio Works planar magnetic loudspeakers were an affordable highlight at NY Audio ShowHigh-end audio shows like the New York Audio and AV Show earlier this month tend to favor ultra-expensive esoteric gear that most of us can only dream of owning. But I’m always more interested in the affordable audio systems that regular folks might actually consider buying.

One such practical highlight at the 2012 NY show was the room featuring the GTA2 planar magnetic speaker systems by GT Audio Works.

Greg Takesh (GT) was on hand to demo his budget-conscious ($2,795/pair show special, regular $2,995/pair) planar dynamic hybrid speaker system. He designs his loudspeakers, and produces them himself, garage-style in Stockholm, New Jersey. The GT Audio Works speakers are only available for direct sale from the maker.

The GTA2’s created quite a buzz among those attending the NY show who made their way to the 15th floor demo room and heard them…

“Quite good sound… an incredible bargain.”

“They are one of the few speakers that were playing loud without compelling me to want to leave the room… voices in particular are astounding…chorus singing will drop your jaw.”

The GTA2 incorporates a ribbon tweeter, planar magnetic full-range driver, two 8-inch mid-bass drivers, and a more conventional powered 8-inch sub-woofer. The pair on demo in New York were finished in zebrawood, which looks great, and other finishes are available to order.

These speakers are intended for a 2-channel audiophile setup, but they are also suitable as home theater main speakers. The planar magnetic design produces an open transparent sound that is comparable to what you get from much more expensive electrostatic speaker systems.

According to Takesh: “Planars project sound twice as efficiently as listening distance increases (as opposed to closed box speakers) giving the feeling the performers are right in the next room. This is great for casual listening as you go about your duties in your home. It never sounds loud… they just fill your home with music.”

How refreshing to find an enthusiast-designer-builder who not only believes that “high end audio is WAAAAAAAYYYY too expensive”… but is doing something about it!

“Speakers are like opinions…everyone has their own view on what’s right… I invite you to come to my home with your favorite CDs or stereo equipment and take your time to hear for yourself.”
– Greg Takesh

Sound Reinforcement Behind the Scenes at Blizzcon

Christine Wu and Band on stage at Blizzcon 2010I don’t often get a chance to talk about my secret passion for World of Warcraft (a massively popular online game) here at AudioWorld. So I was quite pleased to find this opportunity! Electric violinist Christine Wu has posted a great story about the technical challenges she faced with sound reinforcement when she performed as bandleader at last October’s Blizzcon 2010 event.

Blizzcon is a huge annual event put on by Blizzard Entertainment, the game developer responsible for World of Warcraft, in Anaheim, California. It’s the place to be for WoW gamers, and it always includes splashy concert events in the evening, at Anaheim Convention Center. For Blizzcon 2010, one of the main stage events featured a costumed, WoW-themed dance contest, with music provided by a very hot band of L.A. session players, fronted by three electric string players. All led by Christine Wu.

The show came off without a hitch, at least as far as I could tell at the time. I remember thinking what a great job the band did, sounding (and looking) great under difficult circumstances. As Christine puts it… “we have no idea if we’ll play 10 seconds or 2 minutes of each song… but I’ll have no feed from the show’s producers or a talkback mic to talk to my band, which is going to present a MAJOR challenge.”

That turned out to be almost the least of her problems. Her story of behind-the-scenes at the show details how she used an Apogee GiO guitar interface to hook up her custom 5-string Yamaha electric violin with her Mac laptop, Logic Audio, and Waves GTR and Pedalboard. This solved all kinds of trouble with software incompatibilities and audio connectivity, and she managed to run solid through a 3-hour show entirely on battery power.

It’s a great story, especially for those of us who were at Blizzcon and enjoyed the whole spectacle without ever thinking what was going on with audio. In fact, I remember overhearing several comments about how great the sound was, better than ever before at a Blizzcon event.

Gratz to Christine Wu, her band, the sound reinforcement crew at Blizzcon… and Apogee Digital for the versatile GiO interface.